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Re-membering Myths

A Theopoietic Incarnation of the Body, Ecology, and the Sacred

As a multimedia artist and researcher, I have developed the theoretical framework "Re-membering Myths" that offers a new perspective on the ecological crisis.

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The Theory: Re-membering Myths

The Notion of "Re-making" (Ana-skevi)

The title "Re-membering Myths" plays on the Greek verb "ανα-σκευάζω"—to re-evaluate or revise—and the noun "σκεύος" meaning vessel, metaphorically the body, proposing a re-evaluation of the body and our materiality.

The Theopoietic Essay "Re-membering Eden"

What if the Fall was not punishment but misinterpretation? What if decomposition were sacred rather than shameful? This essay proposes that humanity left paradise not because of disobedience but due to the trauma caused by recognizing decomposition.

I argue that the contemporary crises we face stem from this "primordial reaction to decay"—a deep-seated aversion to the natural processes of breakdown and recomposition—leading to a "temporal disharmony" and a "hierarchy of mind over body." This section presents the key concepts of this theory.

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Primordial Reaction to Decay

A fundamental psychological and cultural aversion to the natural processes of decomposition. This initial rupture estranged us from the cycles of life, death, and renewal, laying the groundwork for unsustainable practices.

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Temporal Disharmony

A conflict between the temporal frameworks of mind and body. The mind seeks permanence and eternal truths, while the body follows biological rhythms of growth and decay. This disharmony produces inner conflict and alienation.

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Aesthetic Response & Re-connection

Art and aesthetic experience can serve as a path toward healing. By eliciting an "aesthetic response," we can re-connect with embodied knowing, bridge the gap between mind and body, and cultivate a deeper ecological consciousness.

The Symbolic Language

To articulate these ideas, I have developed a unique symbolic language. Each symbol represents a core idea within the "Re-membering Myths" framework. Click a symbol below to explore its meaning and understand how these pieces join into a coherent whole. This lexicon is an extra-verbal key for decoding the theory's deeper structure.

The Work: Venus Incarnis

"Venus Incarnis: Seeds of Material Divinity" is the artistic incarnation of the "Re-membering Myths" theory. It appropriates the primordial figure of the Willendorf Venus and the Catalan tradition of the Caganer to challenge contemporary taboos around the body, decay, and regeneration, exploring our relationship with nature and sacred materiality.

Conception and Materials

The installation centers on a re-appropriation of the Willendorf Venus presented in the earthy posture of the Caganer. Full-bodied, with a baby in front and excrement behind, the figure invites acceptance of bodily wholeness. A lightbox with illuminated text and a seedbed with living seeds (lentils, chickpeas) sprout during the exhibition, visualizing the transformation of "waste" into life.

Ecological Activism

The work functions as a subversive form of contemporary ecological activism. It extends beyond the gallery through "planting kits" containing a small biodegradable 3D-printed PVA figurine (corn-based) and a soil mix like the seedbed. The public is invited to "plant" the goddess, participating in an act of restoration and reconnection with the earth.

The Exhibition

Venus Incarnis: Seeds of Material Divinity is presented within the group exhibition "KYTHereia Aphrodite — From Hidden Erotic Passion to the Online Search for Love."

Location

Merkato, Chora Kythiron, Kythira, Greece: In harmony with the mythic place of Kythira, where Aphrodite emerged, the work explores hidden aspects of biology, posing questions about digital realities and erotic connection in the contemporary world.

Opening Date: 21 September

About the Artist

Katerina Tsembeli is a multimedia artist and researcher. Her work explores intersections among mythology, ecology, and psychology, centering humanity's relationship with the natural world.

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